Literary Gothic Romantic Criticism

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By Tilar J. Mazzeo

In a chain of articles released in Tait's Magazine in 1834, Thomas DeQuincey catalogued 4 strength cases of plagiarism within the paintings of his good friend and literary competitor Samuel Taylor Coleridge. DeQuincey's fees and the debate they ignited have formed readers' responses to the paintings of such writers as Coleridge, Lord Byron, William Wordsworth, and John Clare ever in view that. yet what did plagiarism suggest a few 200 years in the past in Britain? What was once at stake while early nineteenth-century authors levied such fees opposed to one another? How may issues switch if we have been to guage those writers via the criteria in their personal nationwide second? And what does our ethical funding in plagiarism let us know approximately ourselves and approximately our courting to the Romantic delusion of authorship?

In Plagiarism and Literary estate within the Romantic Period, Tilar Mazzeo historicizes the dialogue of overdue eighteenth- and early nineteenth-century plagiarism and demonstrates that it had little in universal with our present knowing of the time period. The e-book deals a tremendous reassessment of the function of borrowing, textual appropriation, and narrative mastery in British Romantic literature and offers a brand new photograph of the interval and its important aesthetic contests. peculiarly, Mazzeo demanding situations the just about unique smooth organization of Romanticism with originality and takes a clean examine essentially the most well-known writings of the interval and the controversies surrounding them.

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Plagiarism and Literary Property in the Romantic Period (Material Texts) by Tilar J. Mazzeo

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