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Carnival Theater: Uruguay's Popular Performers and National - download pdf or read online

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By Gustavo Remedi

The murgas are troupes of performers, musicians, writers, and creators who, in the course of Montevideo's Carnival, practice at the tablados, transitority phases in-built the neighborhoods of Uruguay's capital urban every year. during the interval of Uruguay's subjection to a brutal dictatorship and within the following period of "democratization," the murgas, estimated initially as well known theater, have been remodeled right into a image of social resistance, celebrated by way of many and perceived through others as menacing and subversive.

Focusing at the cultural practices of the reduce sessions and extra particularly at the approaches and productions of the murgas, Gustavo Remedi's Carnival Theater is a deeply considerate attention of Uruguayan society's id trouble and next redefinition within the wake of the authoritarian-bureaucratic-technocratic regimes of the Nineteen Sixties. A revealing paintings of cultural feedback, the publication proposes a brand new set of standards for the translation and critique of nationwide culture.

Gustavo Remedi is assistant professor within the division of contemporary Languages and Literatures, Trinity College.

Amy Ferlazzo teaches at Meredith collage in Raleigh, North Carolina.

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Carnival Theater: Uruguay's Popular Performers and National Culture (Cultural Studies of the Americas) by Gustavo Remedi


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